Lyrids 2022 Dance Instructors

Pacific Time Saturday, April 30, 2022
9 AM – 10:30 AM Jaap Leegwater – Bulgaria and Beyond
10:30 AM – Noon Ahmet Lüleci – Turkish dance
1 PM – 2:30 PM Jaap Leegwater – Jaap’s Golden Oldies
3:30 PM – 5 PM Naomi Taussig – Israeli Dances
8:15 PM Naomi Taussig – Dance Review
9:30 PM Ahmet Lüleci – Dance Review
10 PM Jaap Leegwater – Dance Review

For culture talk, singing, and drumming instructors see Workshops
For musicians see Musicians

Jaap Leegwater started his dance career in his native country, The Netherlands, where he earned degrees in both education and international folk dance. Fascinated with the irregular Balkan rhyhms and drawn to the expressiveness of its movements, Jaap specialized in Bulgarian dance and choreography. In 1969, he was one of the first non-Bulgarians invited to study at the State Choreographer’s Schools in Sofia and Plovdiv, Bulgaria.

In cooperation with the Dutch Ministry of Culture and the Bulgarian Center for Amateur Art, he carried out research on village dances in the different ethnographic regions and on the teaching of Bulgarian folk dance in the country’s educational system. During his frequent trips to Bulgaria, over a period of 30 years, Jaap collected and recorded many original dances and songs learned from older people in many villages throughout the country where folklore traditions are still a way of life. In addition Jaap participated in the rehearsals with several dance ensembles, both amateur and professional, and studied with some of Bulgaria’s best folklorists and choreographers.

These activities don’t just belong to the past. Jaap still travels to Bulgaria annually, reflecting his continued involvement in following the developments of the country’s folklore and dance scene. As a result, the material Jaap collects comes a variety of sources ranging from village settings to dance styles of the performing arts. This gives him the experience and flexibility to gear his teachings, repertoire and format toward the specific educational and artistic needs required of a diverse mix of groups and settings.

DANCE INSTRUCTOR AND CHOREOGRAPHER
Mr. Leegwater was first introduced to the American folkdance scene by the late Ciga Despotovic in 1980. He gratefully recognizes the support and inspiration received from Marianne and Michael Herman, Dennis Boxell and Yves Moreau in establishing himself in Northern America professionally.

For the past 30 years Mr. Leegwater has conducted workshops and dance seminars in various countries: The Netherlands, Germany, Switzerland, Sweden, Israël, England, United States, Canada, Japan, Taiwan, and Hong Kong. He is a regular instructor at many major dance camps and organizations including Maine Folk Dance Camp, Stockton Folk Dance Camp at the University of the Pacific, Mendocino Folklore Camp, the EEFC Balkan Music and Dance Camp, Kolo Festival, in San Francisco, Texas Folk Dance Camp, New Mexico August folk dance Camp, Santa Barbara Folk Dance Symposium, Montreal International Folk Dance Camp, Ontario Folk Dance Camp and the Bulgarian Festivals in Vancouver, B.C.

Back in The Netherlands Jaap got involved in setting up and running Bulgarian Dance Taverns very much like the Tanzhause approach in Hungary, were people can meet, eat drink and dance without having to take classes or having to have any formal dance training.

Life music is provided by both Dutch musicians specializing in Bulgarian folk music and Bulgarian musicians often found playing for tourists on the streets in downtown Amsterdam.

The program consists of “generic and pan-Bulgarian” dances, or as they say in Bulgarian: “megdanski svatbarski hora” This has been a very successful concept bringing together the Dutch recreational folkdancers and people from the Bulgarian immigrant community in Holland. (see internet website http://www.zajednica.nl/ under Bulgaarse Dans Taverne). Some of the most popular dances have been recorded recently and will be released on a new CD called “Kusmet and friends” featuring the Dobrudzan singer Galina Durmushliyska.

Jaap holds an M.S. in Counselling Psychology from California State University Sacramento.  After a successful stay of 16 years in the United States Jaap returned to the Netherlands in 1999, where he now lives with his son Lubomir and continues to combine his dance teaching career with a practice as a consultant in multicultural counselling and education.

Ahmet Luleci

A native of Turkey, Ahmet Lüleci is an accomplished choreographer, dance teacher and performer as well as a researcher of Anatolian culture. He is currently the artistic director of the Boston based Collage Dance Ensemble, which allows him to further his goal of making folk dance and music accessible to a wider audience. From the age of eight he has danced with numerous ensembles and private associations.  Ahmet’s college major was music and his fascination with dance led him to conduct scholarly research into the historical, social and cultural background of the costumes and spoon dances from Turkey’s Mediterranean coast. From 1974 to 1985 Ahmet taught in several excellent traditional dance ensembles in Turkey. Since arriving in North America in 1985, Ahmet taught many dance workshops and camps in North America and abroad and has set innumerable suites of dances for the stage.  Ahmet is also the winner of many prestigious awards in dance, choreography, and achievement in the arts and humanities.

Naomi Taussig

Naomi Taussig is known for her infectious energy and enthusiasm – especially when it comes to Israeli dancing!  First introduced to Israeli dance when she spent a high-school year living in Israel, Naomi started dancing in Vancouver in 1982. Within a few years, she started teaching, running her own dance sessions, and then became a certified Israeli Folk Dance instructor at Israel’s Wingate Sports Institute.

In addition to running sessions in both Israel and Vancouver over the past 35 years, Naomi has danced in and directed performance troupes and offered Israeli dance classes specially geared to seniors, children and special needs adults. Her belief is that anyone with interest and desire can dance – there is no such thing as “two left feet”. It’s about having fun, enjoying the process, and keeping active in mind, body and spirit.